o you remember the scene in Ridley Scott’s Alien in which Harry Dean Stanton’s Brett gets offed by the titular space invader? Our younger readers may want to pull that up on YouTube, but the reason I ask is because the grimy, damp and claustrophobic set design on display matches the aesthetic that Ossuarium is serving up on Living Tomb (20 Buck Spin). Brief, almost acoustic passages come in here and there, but for most of its run time, Living Tomb lives up to its moniker. Continue reading
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