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ALBUM REVIEW: Autopsy – Morbidity Triumphant

  Artificial intelligence is a concept seemingly ever-present in the modern day. But nobody talks about when musical instruments become sentient and develop their own mannerisms and consciousness....

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ALBUM REVIEW: Bush – The Art of Survival

  Since relaunching Bush in 2010, the Gavin Rossdale and Chris Traynor partnership (Traynor taking on the right-hand role in the band once Rossdale resumed performing under the Bush banner in the stead...

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INTERVIEW: Sammy Pierre Duet of Goatwhore –“Angels Hung from the Arches of...

Ghost Cult caught up with our pal Sammy Duet of Goatwhore! We discussed their new album  “Angels Hung from the Arches of Heaven” which is out now from their long-time label Metal Blade Records. We...

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ALBUM REVIEW: Fit For A King – The Hell We Create

  In yet another striking example of music being used as an outlet for some of life’s most traumatic misgivings, Fit For A King have returned with their seventh – and quite possibly most impactful –...

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ALBUM REVIEW: Rhythm of Fear – Fatal Horizons

  It’s been five years since Rhythm of Fear released their last album, Maze of Confusion. The crossover thrash band is back with more pummeling riffs and plenty of attitude with Fatal Horizons (MNRK...

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ALBUM REVIEW: Action-Adventure – Imposter Syndrome

  The crux of imposter syndrome is that the afflicted is tormented – haunted – by real or imagined negative feelings towards their legitimacy and ability. Be it a position of power at work or a highly...

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ALBUM REVIEW: Candlemass – Sweet Evil Sun

  The Chernobyl disaster rocked the then-Soviet Union in 1986. Ronald Reagan was the president. Gas was just over a dollar a gallon (Editor’s note, gas was $2.14 per gallon nationwide in 1984). Times...

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ALBUM REVIEW: Dystopia A.D. – Doomsday Psalm

  The unmistakable pall of monochromatic fear and fright begs the question: should Dystopia A.D. have named their latest record Doomsday Bible? Instead calling it Doomsday Psalm, the album presents an...

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ALBUM REVIEW: Obvurt – Triumph Beyond Adversity

  The nut to crack that is Obvurt is a tough one. On the one hand, the Quebec-based tech-death trio hold their own with bombastic, forceful drumming; chaotic, thrashy elements; and call-off-the-dogs...

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ALBUM REVIEW: To The Grave – Director’s Cuts

  Following 2019’s Global Warning debut, Deathcore visionaries To The Grave continue their activist-minded foray with Director’s Cuts (Unique Leader Records), a forty-four-minute escapade that builds...

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ALBUM REVIEW: Foretoken – Triumphs

  In late 2020, Foretoken warned the entire world of one thing: the Virginia Beach-based duo is on a mission to completely shake up the status quo. Three years later, Triumphs (Prosthetic Records) is...

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ALBUM REVIEW: Lamp Of Murmuur – Saturnian Bloodstorm

For forty uncertain, eerie and downright unsettling minutes, black metal project Lamp Of Murmuur grips the listener with a sturdy hand and refuses to let go until fear, disgust and melancholy take...

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ALBUM REVIEW: Allfather – A Violent Truth – Trepanation Recordings

  There is nothing – nothing – clean about Allfather. Not the production or tuning; not the various vocal methods; not the atmosphere or tone.   A Violent Truth (Trepanation Recordings) is at times...

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ALBUM REVIEW: Structural – Decrowned

Israeli-based tech-death outfit Structural are no strangers to taking time to hash out any kinks before finishing a full-length. Five years removed from their self-released debut album, the five-piece...

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EP REVIEW: Aasar – Nothing to Nowhere

  Nothing to Nowhere is the debut EP from new Seek and Strike Records signee’s AASAR. Hailing from the cold mountains of Italy, the four-piece absolutely show they mean business by delivering a...

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ALBUM REVIEW: Outer Heaven – Infinite Psychic Depths

  Powered by an insatiable appetite for thoughtful tempos and laborious aggression, Outer Heaven exhausts everything they have with Infinite Psychic Depths (Relapse Records), eleven songs rife with...

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ALBUM REVIEW: Crypta – Shades Of Sorrow

  If Crypta failed to make it onto your radar after their 2021 debut, they’ve returned to ensure that doesn’t happen again.   The Brazilian death metallers this time around crafted thirteen songs chock...

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ALBUM REVIEW: Exmortus – Necrophony

Exmortus did nothing halfway when orchestrating their epic, hourlong, quasi-conceptual new record, Necrophony (Nuclear Blast Records). Complex, technical, and masterfully performed, the Californians...

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ALBUM REVIEW: Dying Fetus – Make Them Beg For Death

  The story of Dying Fetus is one for the storybooks, indeed. Formed in 1991 (and spawning Misery Index in the process), guitarist/vocalist John Gallagher chose the name in jest with the sole purpose...

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ALBUM REVIEW: Black Stone Cherry – Screamin’ At The Sky

  When your first two albums are such bonafide classics as to not only launch you to rock fame but also firmly establish your sound and style in everyone’s conscience, it can be difficult to find the...

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